RODE NT1A microphone review

RODE NT1A microphone review

What is a Condenser Microphone?

Condenser means capacitor, an electronic component which stores energy in the form of an electrostatic field. The term condenser is really out of date yet has stuck as the name for this kind of microphone, which uses a capacitor to change over acoustical vitality into electrical vitality. Condenser microphone requires control from a battery or outer source. The subsequent sound signal is strong. Condensers also tend to be more sensitive and responsive, making them well-suited to capturing subtle nuances in a sound.

Do I need a Condenser Microphone for my Podcast?

Condenser Microphone is suitable for catching the hints of acoustic instruments and vocals because of their high affectability. Notwithstanding, they ought to be maintained a strategic distance from when managing high solid weights, for example, that made from a kick drum. The sound created from a condenser receiver can be portrayed as being fresh, clear and point by point. Apart from all this, condenser microphones are

  • More efficient at moving and capable of capturing a range of high frequencies.
  • Easy to obtain a flat frequency response and extended frequency ranges.
  • Fully variable polar-pattern, roll-off and pad controls.
  • Clear, well-balanced sound.
  • Comes with rigid case and shock mount.

Due to its extremely low mass, the diaphragm of a condenser microphone can follow the sound waves more accurately. Condenser microphones, therefore, offer superior sound quality. Since podcasting is mainly about presentation of a smooth and clear conversation, interview or etc. Condenser microphone can be the best choice for podcasting, keeping in mind all the benefits and features (of condenser mic) mentioned above.

Is the RODE NT1A a good Podcasting Microphone?

In podcasting, when it comes to microphones, all podcasters attempt to purchase the receiver which is to record as smooth and clear voice as they’re communicating face to face. In recent times, it tends to be found in music, radio, and voice-over studios around the globe. It’s likewise turned into a mainstream decision for podcasters hoping to begin recording with their first condenser microphone.

In a completely normal manner and with a decent arrangement, the Rode NT1-A will be a breeze to utilize. Essentially locate a decent stance, put the mic a couple of inches from your mouth, and dialogue on however much you might want. Ensure the gold button on the microphone’s neckline is confronting you, and you’ll be talking into the correct opening.

Eventually the Rode NT1-A will be what you think about it. It’s a basic top notch amplifier that will carry out the responsibility in a harsh and prepared arrangement. In any case, on the off chance that you invest some energy setting up a touch of sound hosing and get some great situating, the sky truly is the point of confinement. A ten-year guarantee doesn’t hurt either (just by the way).

However, let’s dive into other aspects (and reviews) of microphone, where people have tried out acoustic (guitar) singing. According to people these new Rode designs are characterized by a very open and detailed high end, which is however properly balanced by the low end. There’s nothing thin or edgy about the sound and, because there’s no excessive inherent coloration, they respond well to EQ — you’re not constantly trying to fight the microphone’s in-built character. On most voices, the sound comes over as gently flattering and well-focused, and of course, this attribute bodes well when you come to microphone acoustic guitars and other instruments.

Notwithstanding its minimal cost, the NT1A conveys proficient execution, both for vocal account and for general instrument use. The absence of any blundering nearness lift makes the sound appropriate for use with a scope of artists and vocal styles and makes it’s additionally simple to adjust utilizing unobtrusive measures of EQ. At the same time, the high end is as open and detailed as you could wish for, so if you like a vocal sound with modern breathy quality, you can achieve it using little or no EQ.

Hence, in the event when you’re making your first attack into condenser microphone, at that point the Rode NT1A is a great spot to begin. I’ve seen people spent numerous hours in radio and recording studios, and places where the quality of the NT1-A would be right and comfortable. This microphone is proof positive that you don’t need to use up every last cent to get a great sound. Concluding with a firm recommendation of Rode NT1A for podcasting since it won’t be giving you a disappointing outcome.

Technical Details:

  • Acoustic Principle: Externally polarized 25mm (1”) condenser
  • Active Electronics: JFET impedance converter with bipolar output buffer
  • Directional Pattern: Cardioid (see graph)
  • Frequency Range: 20Hz ~ 20,000Hz (see graph)
  • Output Impedence: 100Ω
  • Sensitivity: -31.9dB re 1V/Pa @ 1kHz (25mV/Pa @ 94dB SPL) ±2dB @ 1kHz
  • Equivalent Noise: 5dBA SPL (per IEC651)
  • Maximum Output: +13.7dBu (@ 1kHz, 1% THD into 1kΩ)
  • Dynamic Range: >132dB (per IEC651)
  • Maximum SPL: 137dB (@ 1kHz, 1% THD into 1kΩ)
  • Signal/Noise: 88dB SPL (@ 1kHz, rel 1Pa per IEC651)
  • Power Requirement: Phantom P48, P24
  • Output Connection: 3-pin XLR
  • Net Weight: 326g

Microphone features:

  • Large capsule (1”) with gold-plated membrane
  • Cardioid polar pattern
  • Ultra-low noise transformerless circuitry
  • New, state-of-the-art surface mount electronics
  • Heavy-duty satin nickel finish
  • Monocoque sub-assembly
  • Internal shock mounting system
  • Gold plated output connectors
  • Designed & manufactured in Australia
  • Full 10 year guarantee*

Supplying Power:

  • Connect all cables before applying power to the microphone and never remove the microphone cable while the power is connected.
  • The NT1-A requires P48 volts or P24 volts phantom power.
  • If the mixer or preamp does not contain this phantom power requirement, then an external phantom power supply is needed.
  • Some phantom power supplies do not supply the voltage at which they are rated. If the required voltage is not supplied, the dynamic range and general performance of the microphone will be reduced.
  • We strongly suggest the use of a reputable high quality power supply. Damage caused by a faulty power supply is not covered by the warranty

Frequency response

Polar response

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